NEWS

StoryCorps

Cosmic Bonds and “the Comet of the Century”

On Saturday, October 12th, a rare comet will be at its most visible over Philadelphia – streaking through the sky and easily visible with a telescope or binoculars. Named “Tsuchinshan-Atlas”, the comet will make its closest approach to Earth for the next 80,000 years and promises to be the “comet of the century.”

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Love Now Magazine

The Exemplary Manhood of Frontline Dads 

So, what does it mean to be a Frontline Dad? Jones describes it as “exemplary manhood,” a recurring phrase taught to mentees. “You don’t have to be a biological father to be a dad,” he emphasizes. “We come from communities where we believe in taking a village to raise a child.”

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Equity

Activist Debbie Wei on Love for Community and the Fight to Save Philadelphia’s Chinatown

When I ask Debbie if Parker’s recent endorsement means the fight to save Chinatown is lost, she looks up from her mapo tofu noodles and laughs. “Oh God, no,” she chuckles, reminding me that Mayor Street’s pet project was a proposal to put the Phillies stadium in Chinatown and Mayor Nutter eyed the neighborhood as the site for a casino. The community defeated both.

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News

Singing From the Shadows at Philly Story Fest 2024

Today, the media company is best known for hosting storytelling “parties,” where journalists and reporters share compelling narratives in front of a live audience. These immersive events occur twice a year in cities like San Francisco, Detroit and our own, Philadelphia. One participant, who moved to Philly to escape the frantic pace of New York, captured the essence of this year’s festival: “It’s about feeling something profound—leaving different than when you arrived.”

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Poet's Press

Weaving Freedom Dreams: A Collaborative Poem 

This poem was compiled at the Fall 2024 Release Party for Love Now Magazine. Attendees were asked to write down their feelings and responses to various prompts, in haiku format, and submit them anonymously for publication. Following the event, the haikus were compiled by curator Kim Russell into a longer form poem, published above.

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