Filmmaker Kyree Terrell on Storytelling, Community, and Staying the Course
For over a decade, I’ve watched Kyree Terrell evolve from a party and event videographer into one of Philadelphia’s most prolific independent filmmakers. I remember when he launched My New Philly, a media platform dedicated to reshaping narratives about our city, capturing joy, possibility, and what was “new” and often overlooked. He led teams of young journalists and filmmakers through our neighborhoods with cameras and curiosity, documenting stories that uplifted and inspired.
Beyond Broadway, The Wiz as a Black Music Month Manifesto
There are moments in Black culture when time folds inward. When the past, present, and future meet in rhythm, harmony, and truth-telling. Last night, watching The Wiz, performed at Philadelphia’s Academy of Music and presented by Ensemble Arts, became such a moment. Staged during Black Music Month, this production reminded us why The Wiz, first introduced to Broadway in the 1970’s, remains one of the most potent cultural reimaginings in American performance history.
From the Block to the Studio: Vernon Ray Shoots Cameras, Not Guns
Video Story. Raised in North Philly, Vernon Ray transforms pain into purpose—capturing hope, healing, and truth through his lens. Founder of Shoot Cameras, Not Guns, Vernon mentors young creatives and builds community, believing that love is showing up, every day. His art invites us to see, feel, and remember what matters most.
Jacen Bowman: Leading with Love and Pride
Jacen Bowman knows what it means to fight for love—beginning with himself. The lessons he has learned about self-love are the foundation for how he loves others today.
This activist, leader, and advocate channels his awareness into his work on behalf of intentionally marginalized communities, particularly LGBTQIA+ individuals, to ensure their visibility, amplify their voices, and validate their experiences.
Our Unbreakable Best: Healing Beyond the System
“I want my story to show others that healing is possible, no matter where you start.”
A profound statement, rooted in love and a deep belief in all things good, from educator and activist Victoria Best.
Now forty-five, Best was thrust into the Philadelphia foster care system after being separated from her biological mother at age 2. On a journey where resilience and survival became necessities, she quickly learned the difference between shelter and belonging after she and her brother were taken in by her uncle’s family.
Passing Down the Pen: 19th News Fellows Meet with Queen Mother Falaka Fattah
Like her ancestor, Frances Ellen Watkins Harper, Queen Mother Falaka Fattah has connected the two Black Press traditions of informing and advocating.
Legacy & Love explores generational impact for Black History Month
Titled “Legacy & Love,” this new series runs in tune with the month’s theme—African Americans and Labor—and highlights four different businesses and celebrates the impact of their generational run.
How To: Heal Our Relationship to Intimacy
The painful, beautiful reality of intimacy is that it requires closeness with another being, achieved through mutual vulnerability. We share the ability to deeply wound each other and trust that we will not. Tim Kreider, essayist and cartoonist, sums it up best: “If we want the rewards of being loved, we have to submit to the mortifying ordeal of being known.”
Kuan Young Wants You to Incorporate Nature into Your Healing
Early on, Young noticed a disconnect between healing practices and feeling healed. He noticed individuals who were doing yoga every day but not feeling any better; to this, he maintains that “maybe [they] haven’t put the right things in [their] body,” or maybe their wellness journey should incorporate the novelty of nature.
A Home For Colored Girls
Vashti Dubois keeps this house because she wants Black women to visit and know
that someone is expecting them and has prepared a space for them to be comfortable. She said that in naming the museum, “the concept of ‘colored’ came from [the] ways in which the world just colors on Black women and girls; just takes out its crayon and colors us whatever the hell it wants… TCGM is my love letter to ordinary colored girls.”
