
Grammy Winner Karen Slack Brings the Love and Legacies of ‘African Queens’ to the Operatic Stage
As opera continues to navigate these transformative times, artists like Karen Slack are at the forefront.
As opera continues to navigate these transformative times, artists like Karen Slack are at the forefront.
Like her ancestor, Frances Ellen Watkins Harper, Queen Mother Falaka Fattah has connected the two Black Press traditions of informing and advocating.
In 2019, when Cleopatra Robinson lost her best friend, LaShana ‘Shana’ Gilmore, she never imagined that six years later, she’d lead a fast-growing non-profit foundation while preparing to open her first home for pregnant women.
Love Now Media spoke with Christopher R. Rogers of Abolition School, Van Sam of VietUnity, and Keyssh Datts of Decolonize Philly about their ongoing work fighting for community and liberation.
For our city to see a change in recidivism, I believe it starts with those who have changed their ways and are using their time to pour into the community.
Loretta Ross shares her ideas on how to engage in “calling in,” instead of “calling out,” within social justice movements.
“Remember Me Today” is a poem written by poet and performer Chioma Sheri.
Shark Tank is coming to Philadelphia, and your company could be the next local startup to walk away with a deal. The show will be at Rivers Casino on April 11 for a casting call open to the general public.
Invoking what was something like a spiritual framework of King, Love Now Media held a four-session live-stream to capture complex narratives around power, love and justice. The talks—interspersed between music and artistic performances—covered activism and intimacy to faith and politics.
“The Checklist” is a poem written by musician, poet and artist Chris Niles.
Titled “Legacy & Love,” this new series runs in tune with the month’s theme—African Americans and Labor—and highlights four different businesses and celebrates the impact of their generational run.
The painful, beautiful reality of intimacy is that it requires closeness with another being, achieved through mutual vulnerability. We share the ability to deeply wound each other and trust that we will not. Tim Kreider, essayist and cartoonist, sums it up best: “If we want the rewards of being loved, we have to submit to the mortifying ordeal of being known.”
Early on, Young noticed a disconnect between healing practices and feeling healed. He noticed individuals who were doing yoga every day but not feeling any better; to this, he maintains that “maybe [they] haven’t put the right things in [their] body,” or maybe their wellness journey should incorporate the novelty of nature.
At a time when the rights of trans-Americans are endangered, Fallawayinto is an urgent and powerful revelation for existence throughout generations. It is unapologetic love in its purest form, and its narrative offers a raw, heartfelt portrayal that challenges mainstream representations.
“Nation Free” is a poem written by Black Queer multi-disciplinary artist, cultural producer, educator and Philadelphia’s inaugural poet, Kai Davis.
Vashti Dubois keeps this house because she wants Black women to visit and know
that someone is expecting them and has prepared a space for them to be comfortable. She said that in naming the museum, “the concept of ‘colored’ came from [the] ways in which the world just colors on Black women and girls; just takes out its crayon and colors us whatever the hell it wants… TCGM is my love letter to ordinary colored girls.”
“Hip-hop started from a conscious place, aiming to uplift people. It brought communities together, reducing violence through events like dance battles. My role is to carry that torch intentionally. I want my content to be meaningful and timeless so that twenty years from now, I can still be proud of my work and its impact on my community and the world.”
In December, Philadelphia City Council voted 12-4 to approve 76 Place after arresting dozens of protesters. But as Debbie predicted, arena opponents vowed to continue the fight despite legislative approval. The very next day, a two-story banner proclaiming “76 Place Will Never Be Built: Stop Land Grabs, from Philly to Palestine” was deployed off of a downtown parking garage. Just over three weeks later, that declaration—and Debbie—would be proven true.
As with all traumas, money trauma runs deep, and we are often unaware that we
have it. We might say that we have money problems, but not money trauma, which forms when we take on the beliefs that others have about money. We might have heard from others that money is evil or that you must work hard for money, and that becomes our belief (often, a belief that goes unchecked).
Mary Enoch Elizabeth Baxter, also known as Isis Tha Savior, creates work that exemplifies the transformative power of art. Her commitment to confronting uncomfortable truths serves as a powerful reminder that the journey of healing, while often fraught with challenges, can lead to profound understanding. As she continues to amplify marginalized voices, she reminds us that art is not just a conversation starter; it’s a catalyst for action and a pathway to justice.
Spending a day with Taj, hearing his story, and witnessing his work, it was clear that he embodies the men and mentors who once helped him heal. He is an uncle, a father, and a Man of Courage for the boys he mentors. He reflects power, faith, and the possibility of something greater: a roaring lion with a gentle soul.
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